I have a lot of time to think about writing now. I also have a narrow window of emotional availability. Don’t be surprised if I call! Third thoughts is where the rich material is. I’m digging there.
Allow me to illustrate: When I learnt about the samaadhi system as a child, I was fascinated.
1. How admirable that someone could have that kind of determination and dedication.
2. What if (s)he changed her/his mind? What if (s)he started banging on the rock/door (?) and shouting in panic and nobody heard?
3. What if they did hear and didn’t let him/her out to protect the image? What if the invested powers stood guard at the samaadhi for a pre-calculated number of days to make sure the saint did not escape?
From what I know about the world now, the last is more likely to happen. Epiphany about religion. It’s one of the best things I like about my upbringing. We were not brought up in religion. We were aware of a higher power but it’s representative on earth and chosen vessel of manifestation was my mother’s right palm. For an omnipresent god, in charge of all known and unknown creation, he seemed overly concerned with whether I obeyed my mother or kicked my brother.
Some author, I think it was Neil Gaiman, said somewhere that when you have the courage to write out what makes you uncomfortable in your head, that’s when you are close to good material. I paraphrase, but I hope you get what I mean. It’s one of the things I worry about — what will my parents, family and friends say if they know how my mind actually works. How unsentimental it is. How poor in romance. It’s what I ask my writer friends: How do you camouflage the characters?
interesting! i worry about this too 🙂 what would my parents think if they read what i just wrote 🙂
You don’t. Camouflage the characters, that is.